Honor Codes and Celebrity Woes

A musing from several years ago.

When is honor dishonorable?

A major subject of discussion in the American evangelical scene over the past several years has been the presence and influence of certain “celebrity pastors”. Much has been written on whether well-known personalities in Christian ministry qualify as “celebrities” or merely “public figures”—whether they gain notoriety for faithfulness and accomplishments or whether they seek fame and power and use the Church as their platform. A helpful roundup of these thoughts is available here (ironically enough, a panel discussion of well-known pastors in front of a crowd of 7,000).

There are other issues underneath this general discussion, notably the increasing lack of oversight and accountability for famous pastors and speakers. Carl Trueman (who appears on the panel mentioned above) writes incisively about a few flare-ups of this phenomenon here (N.b.: Since writing this in 2013, the list of fallen Christian celebrities has sadly grown longer and longer).

Most of what I hear on the subject focuses on three areas in particular 1) the aforementioned accountability issues, 2) the seeping into the Church of the general celebrity culture of the contemporary West, or 3) the role of mass and social media in “feeding the beast”. What if, perhaps, there was something else operating in the shadows here? Something more primal, more dangerous, because it comes from within?

Honor Codes and Christ
One of our church elders (who also happens to be a professor of English literature) and I were talking about the prevalence of honor codes in world literature. He noted that, despite surface differences, shame/honor cultures typically function by elevating the social standing of men who conform to a given culture’s ideal of manhood and shielding those who rise from dishonor or any damage to their reputation. Christianity, he argued, subverts that model in the person of Christ—He receives the highest honor (being seated at the right hand of the Father and receiving worship from every tribe, tongue, people, and nation forever) through being subjected to the highest dishonor this life could muster (emptying Himself, betrayal by friends, false accusation, public humiliation, execution as a criminal). That radical perspective shift upends the notions of manhood, leadership, and power in the Church, giving Christians a framework by which humility, tenderness, patience, etc. become markers of strength rather than weakness.

The Code Redeemed in the Church
In a sense, Paul expounds this redeemed code of honor in his description of the character of elders/overseers in the Church: “An overseer, then, must be above reproach, the husband of one wife, temperate, prudent, respectable, hospitable, able to teach, not addicted to wine or pugnacious, but gentle, peaceable, free from the love of money. He must be one who manages his own household well, keeping his children under control with all dignity (but if a man does not know how to manage his own household, how will he take care of the church of God?), and not a new convert, so that he will not become conceited and fall into the condemnation incurred by the devil. And he must have a good reputation with those outside the church, so that he will not fall into reproach and the snare of the devil” (1 Tim. 3:2-7).

To qualify as a leader in the Church, a man must be recognized as holding to the standards to which all believing men should aspire—pastors and elders are not called to be a breed of theological übermenschen, but rather faithful men who lead others by teaching and example to greater Christ-likeness so that the witness of the Gospel may be upheld and spread. Paul says as much in introducing this list of qualities: ”It is a trustworthy statement: if any man aspires to the office of overseer, it is a fine work he desires to do” (1 Tim. 3:1).

Double Honor
Even so, this is not an easy calling, and Satan desires the distortion and downfall of God’s good plan for Church leadership. For this reason, Paul shares (later in the same letter), that “The elders who rule well are to be considered worthy of double honor, especially those who work hard at preaching and teaching” (1 Tim. 5:17). He suggests that those who labor in the Word for the benefit of the body should be compensated for their work (5:18), and that criticism and accusation against them should be weighed carefully (5:19).

It is right and good that we should honor and, in some measure, elevate those who serve the Church well. Like cream, they rise because of their obedience and perseverance over the long haul. Perhaps they even gain notoriety beyond their local church and community through media transmission of their teaching. Though it is easier to gain a wide audience through today’s technology, this goes all the way back to the beginning of the Church in that its leaders often wrote widely and impacted wide swaths of the population. The Church Fathers, and later the Reformers, were something of “celebrity pastors” in their own day, and their writings continue to wield influence. Again, to be a celebrated teacher of God’s Word is not inherently problematic, and the Church past and present has benefitted through the very public ministries of some men.

The Code Resurgent
Perhaps this is where we swerve. All it takes for the old pagan code of honor to overtake this righteous double honor is the most natural of human weaknesses—pride. As soon as the man who gains fame from ministry begins to believe that this condition arises from his work rather than the Lord’s, he will chafe against any attempt to counsel or correct him. When other godly leaders pointing out his errors or character flaws, he sees it not as loving reproof but an affront to his reputation. To save face, he may surround himself with yes-men and go to great lengths to remove himself from those who would correct him. From there, it is a short road to disaster, for the celebrated man, his church, and the witness of the Church of Jesus Christ around the world.

Our enemy is endlessly creative in the ways he can bring this to bear to the ruin of the Gospel. For some, he delights in allowing them to faceplant into sexual or financial sin that anyone who was listening to godly counsel would have fled long before it consumed him. For others, he seeks to have them continue in authority but tempts them through their pride to teach false doctrine and lead many thousands astray from Christ. Most dangerously (and most germane to the issue at hand within the evangelical and Reformed communities), he seeks to get believers to separate the life and doctrine of public teachers, so that we accept many failings so long as their words retain the truth of Scripture. In such cases, the ripple effects of unaccountable leadership trickle down to cripple churches with leaders who answer only to their own egos.

The Corrective: Biblical Authority
The shame/honor dynamic is deeply embedded in our sinful hearts, and it is always ready to creep back into the Church. This is why, almost in the same breath as he urges honor for Gospel ministers, Paul minces no words to ensure that honor is well checked: “[Elders] who continue in sin, rebuke in the presence of all, so that the rest also will be fearful of sinning. I solemnly charge you in the presence of God and of Christ Jesus and of His chosen angels, to maintain these principles without bias, doing nothing in a spirit of partiality” (2 Tim. 5:20-21). The Lord knows that men, even His chosen redeemed, are sinful and would abuse the honor given them to make much of themselves at the expense of Christ and His Church. Therefore, He establishes 1) a plurality of elders to keep the whole church in submission to God and prevent any one man from co-opting a local church, and 2) a firm standard to rein in those who go too far.

Public ministry is a privilege, but it can become a precipice without the oversight of faithful elders. Any man given a broad platform to teach and preach ought to be exceedingly careful to submit to the authority within his local church, to men who know him and his proclivities and who will not hesitate to strike loving blows upon his sinful heart when necessary. To step out from under that umbrella is to cross the threshold from public figure to “celebrity”—without authority over you, you are left unprotected from both the enemy’s snares and the destructive capacity of your own heart.

As to those of us in the pews who are in no danger of becoming publicly known pastors, what is our responsibility in this? First, we should be shrewd in accepting teaching from any “celebrity pastor” and “test the spirits,” checking their words and  by the Word and being wary of any who are not fully submissive to the elders of their local church. Second, we should submit ourselves to the Word and elect our  own pastors and elders with great discernment. As Paul warns, “Do not lay hands upon anyone too hastily and thereby share responsibility for the sins of others; keep yourself free from sin” (1 Tim. 5:22). To exercise that level of care and concern for sake of the Gospel and its teachers is honor indeed.

Novelty and Idolatry

In another very busy stretch, writing has taken a back seat, so here are some “new-to-the-blog” musings from a few years back.

When Paul and Luke first came to Athens, Paul was moved to preach the Gospel there “as he was observing the city full of idols” (Acts 17:16). Luke, almost as an aside, succinctly captures the root problem: “Now all the Athenians and the strangers visiting there used to spend their time in nothing other than telling or hearing something new” (17:21). These two reflections go hand-in-glove; the Athenian obsession with novelty fed their idolatry. I fear this same lesson (though often missed) applies today in our popular practices of theology.

What hath Athens to do with today’s Church?

The city Paul and Luke described seems positively stable compared to the pace of change (in fashion, technology, politics, economics, entertainment, morality, etc.) we experience in today’s West. There are few pleasures we savor more than “something new” to “shake things up” and give us a “fresh perspective”. “What have you done for me lately” may as well be our credo; the accumulated wisdom of the ages is uncritically cast off as outmoded and old-fashioned.

As with so many other aspects of our culture, this proclivity seeps into the Church. To be sure, some “new blood” is helpful and necessary—refreshing our passion to reach the nations, shedding inefficiencies in how we manage our resources, etc.—but the temptation to go too far is always at hand. When we are fully caught up in the new-for-the-sake-of-new, it is easy to seek “original insights” into our faith, to discover “new readings” of Scripture, or to find “fresh applications” for God’s standards to life that may or may not reflect His design.

The pressure to continually improve and distinguish one’s methods and message is greatly intensified for all of us in the harried habitat of the information age. Pastors and teachers are not exempted from these “adapt or die” anxieties. Faithfulness to the Gospel, however, demands consistency rather than novelty. The most damning epithet that can be applied to any theology is “innovative” (to paraphrase R. C. Sproul).Paul

Paul greeted the morass of belief in Athens not by giving them yet another new idol, but by boldly proclaiming the ancient and unchanging truth of “the faith which was once for all handed down to the saints” (Jude 3). He pointed the men of Athens back to “the God who made the world and all things in it,” who “does not dwell in temples made with hands” (Acts. 17:24), and in whom “we live and move and have our being” (Acts 17:28). In other words, Paul did not share something new, and certainly not of his own invention, but something old in a new place.

In the same way, the Gospel has spread across the globe and is still being carried into myriad hard-to-access corners still in darkness—faithful servants who heard the truth went to new places to speak the blessed old words. For nearly two thousand years this has gone on, the same message taking root in the nooks and crannies of the nations. For most of this time, if preachers heard of the work of others at all, it was by writing or listening to oral reports. There have been “innovators” across the ages, to be sure, but the pressure ran in the direction of orthodoxy and conformity rather than toward self-expression and differentiation.

Now, any given pastor can be influenced by any other (or host of others) through the Internet and mass media*. His congregation likewise no longer is limited to his teaching alone, but has access to thousands upon thousands of sermons from thousands of pastors (orthodox or not) from all over the world. Insofar as this ever-expanding web of influences steers believers to deeper understanding of Scripture and greater commitment to their local body, this is a development to thank God for.

Too often, however, what actually happens is that pastors see this network as competition for their own influence and (in the case of other local pastors with a large media footprint or satellite campuses of megachurches in nearby cities) for keeping their own church’s members. Many of these same members use the high-exposure preachers to critique their own local pastor’s style and substance, and some check out from the local church altogether, relying on screen time to effect a disembodied pseudofellowship that meets their felt needs at the expense of the self-sacrifice and sanctification that church membership demands.

In the face of this, some despair, some hold the line with a watchful eye for the health of their congregations, and many seek to regain footing for their ministry by building their own media “brand” that can establish their sway beyond the walls of their church (and perhaps recall members that previously left, or even pick off a few from the “competition”). Following that route requires breaking through the “noise”—either by being recognized for skill in preaching and teaching or by “innovating” their message.

Therein lies the problem. The solution is plain, but painful to our pride: “He must increase, but I must decrease” (John 3:30).

*Recognizing the irony that a) this musing is posted on (gasp) the internet, b) that I indeed hope thereby to minister to those beyond my own local church, and c) that things posted out here in the ether tend to live forever and acquire a life of their own…I feel the need to point out that a) there are many, many fine pastors who are a blessing to many through media ministries undertaken in humility and a spirit of service, b) that I personally benefit tremendously from these men, and c) that name-recognition and broadcast reach do not inherently equal “celebrity” or “influence-peddling”. That is all.

Because I Said So: Hard Truths as Signs of the Covenant

Follow me” has always been God’s call, from Adam to Noah to Abraham to us. It’s not always worded so simply as Christ put it, but the meaning is the same. We are each of us prodded to go “out, not knowing where [we are] going…looking for the city which has foundations, whose architect and builder is God” (Heb. 11:8, 10). Leaving the comfort of the familiar was not our idea, both the destination and the journey are wholly in His hands.

We can almost get behind such faith sheerly for the adventure of it all. We follow God and He promises to bless us. You don’t have to read too much farther, though, before the stakes grow higher: “This is my covenant, which you shall keep, between Me and you and your descendants after you: every male among you shall be circumcised. And you shall be circumcised in the flesh of your foreskin, and it shall be the sign of the covenant between me and you” (Gen. 17:10-11). “Sure, Lord, I’ll follow you anywhere! Wait, you want me to do what?”

Abram obeyed (even at age 99!), but we now look back on the terms of that covenant as mysterious, more than a bit grotesque, and mercifully a part of the ceremonial law which no longer binds us: “But he is a Jew who is one inwardly; and circumcision is that which is of the heart, by the Spirit, not by the letter…” (Rom. 2:29).

The fact remains, though, that the Lord often attached apparently “strange” conditions to His dealings with His people. In His grace, we can see through Scripture how obedience to those conditions was God’s plan to show His power. Joshua at Jericho and Gideon against Midian  must have struggled mightily with God’s conditions for their “military strategy,” but the beauty of the Lord’s powerful victory rises like incense from the pages of these accounts.

Likewise, under the new covenant, we are given things to obey from God that stand in sharp contrast to the world (baptism and communion, for instance) and may or may not make sense from any earthly perspective. There is great purpose in them, but from our finite vantage, it may be that the only purpose we can see is for us to obey in full faith, even when we don’t understand. These things become for us, in the language of Genesis, “sign[s] of the Covenant,” showing our calling through obedience to the distinctive and otherworldly commands of our Lord.

To those standing outside of the household of faith, large swaths of God’s truth simply don’t add up. There are always passages in Scripture (at times more, at times less) that make the obedience of believers stand out like bats at noonday amid the prevailing culture. These things are good and right, designed by God for much more than disagreeableness, but we will always be pressured to downplay their significance, nurturing quiet hope that theologians will conjure a convincing path to ignoring them altogether.

Contrary winds now buffet us in standing up for many things which we as Christians take for granted (that marriage is sacred or that God made men & women different from one another). Rest assured, though, that if we give in to the culture on their current full-court press, they will merely begin to push on another. Practically all of God’s utterance is under attack somewhere or other—even the merest suggestion that there is a God or that a reality exists and can be known is enough to get you thrown out of most “respectable” institutions and associations.

In all of this, of course, God is not toying with us but trying us, fitting us for His kingdom. Without opposition, we grow comfortable, and the cultures most stultifying to the Gospel are those which provide the least incentive for Christians to distinguish themselves as such. When we endure shame on His behalf, we should be stirred to boldness for the core things of the Gospel, camping out upon the stumbling block.

We are called to believe things that will never make sense to a sinful world—God makes it that way to keep us humble and honest, but also because such things are so. A “Follow me” from Christ may sound to our friends and neighbors instead like a voice commanding us to “Be weird”. We proclaim a slain and risen lamb, a virgin birth, a sinless savior, the high priest who is our sacrifice; if we hide in shame from God’s subordinate truths, how can we proclaim His excellencies in full?

Holding on to the hard truths is in its way a sign of His covenant with us. We must trust Him when doing so is made difficult by sin and circumstance just as surely as we do when Scripture makes our hearts sing. “Because I said so” is not a sophisticated rationale for obedience but the refrain of a Father who loves His children. Without an obedient trust willing to accept that call as sufficient, how will we get to the truly hard things that come of following Christ: loving our enemies, giving beyond our means, and taking the Gospel to the uttermost parts of the earth?

Even the world itself exists merely because He said so.

Reflected Reality: Art in the Mirror

It has become commonplace for American Christians talk about the power of story and the need for art to shape the cultural conversation. On many levels this is commendable, and I’ve been a more than willing participant in the exercise. Stories are important (whether in words or on the screen), and those that captivate us shape our thinking both directly and subtly. What we enjoy, we embody; our entertainments become our axioms.

This has been long understood, fleshed out for evangelicals of a certain stripe as a carefully curated distance from mainstream popular culture. The line has sometimes been drawn even farther back—in 7th grade, my small Christian school had a minor dustup over whether to include The Lord of the Rings and The Chronicles of Narnia in the library, what with the witches and all. It is easy enough to go off the rails with this approach, driven by fear as much as faith. Still, its appreciation of the catechetical role of literature and media is laudable, as is the sound desire to protect the Church and its institutions from secular influences.

More recently, sentiment has shifted to a warmer embrace of the popular and a desire to befriend and become culture-makers for the sake of mission. How can we, the new conventional wisdom goes, have real relationships with our unbelieving friends and neighbors if we can’t converse with their favorite shows, movies, music, or books? As in the other stream, there is a heart here to be praised, but the danger on this side lies in forgetting to “take every thought captive to make it obedient to Christ” (2 Cor. 10:5).

This is in no wise a thorough discussion of the subject, but it should move the chains far enough for us to take a shot at thinking about art and theology. Whichever path is taken, we are often reluctant to make room for the best art, because to do so is to open doors of uncertainty.

Good stories well told stretch and strengthen our faith, and create space in the wider cultural imagination for the truth of the Gospel to thrive. They can also drive those already wrestling with doubt to walk deeper into it. The pull of art itself is powerful—there are more than a few stories of how the God-given drive to create can draw people away from the faith of their fathers (see Potok’s My Name Is Asher Lev, for example)—so the Church needs to be a place where those gifts find fulfillment rather than shame. There will always be real tension between robust doctrine (without which there is no Church) and the need for creative freedom (without which there is no art).

Trying to walk that line, we slog along, tepidly applauding a middling work of fiction here and a mediocre “Christian” film there. These are stereotypes to be sure, but they come from someplace. I can’t help but feel that if a manuscript for something like To Kill a Mockingbird showed up on the desk of a mainstream Christian publisher, they would cut 2/3 of the book, add an emotional conversion scene at the courthouse, and then wrap it up with a newly-chipper Bob Ewell dropping all charges against Tom Robinson and throwing a town picnic.

IMG_2445The best of literature and visual art, of course, mirrors life as it is—filled with sin, darkness, and despair as surely as hope and joy. In Jesus’ parables, there were characters and scenes of the most unsavory nature (renters who murder the landlord’s son, a child who tells his father that he wished he was dead so he can have his inheritance now, etc.). The entirety of the Old Testament shows the depravity of nations, especially that of God’s own chosen people. The world is a horrible place and we are horrible people, but what a blinding light is God’s holy justice and mercy at the cross of Christ!

It is this juxtaposition that makes the best art in service of the Lord. All our creative work only really “works” insofar as it draws parallels to this story, likening the things we know all too well to the glory we see now through a glass darkly.

Lately, I can’t seem to stop talking about the new novel Laurus. I fell so hard for the writer’s vision there, because he came closer to crossing through that looking glass than anybody I’ve read in a while. Beyond that, his humility as a writer spoke volumes. My wife and I laughed to hear his story about how he told his wife that no one would read his book; we could see ourselves saying that if I ever finish the things I’m working on, and it is so easy to look at the mainstream and despair of finding a market for that kind of work. He said it touched a nerve because people are hungry for something more, that they “need other things to live by.” That hunger comes as the Holy Spirit is drawing men to Christ, and the right piece of art at the right time can indeed be another stepping stone on their journey to rest in Him.

I’ve spent much of my adult life studying theology, not for academics, but to write well, for my day job at a Christian organization, and to teach Sunday school. I find that the deeper I go into Scripture, into staring at the face of God (so far as we can do in our fallenness), the more I have had to get used to saying “I don’t know.” You only ever have to have faith when you encounter the Living God—all the lesser pretenders to deity are quite explainable.That is why Christ’s call is “Follow Me.” Until glory comes, we are not equipped to understand. The best works of literature operate on that level. You have to give yourself to the author until he is finished working out what he has prepared for you.

Far from causing doubts, that apparent ambiguity serves to draw me closer to Him. He wants us to know Him; we can know Him. Our knowledge is never fully realized in this life, but sufficient to point ourselves to Him. As we create, we must remember that there is only one story that actually gets us to Him. Art will not save, but it can steer us to seek the One who will.

Image: Sunrise, Lake and Peninsula Borough, Ak., July 2014.